ISelf Collection: The Upset Bucket
5 December 2017 – 1 April 2018
Gallery 7
Free Entry

The Whitechapel Gallery is pleased to present The Upset Bucket, a new display continuing the Gallery’s commitment to showing art from exceptional but rarely-seen public and private collections. The Upset Bucket is part of a year-long programme dedicated to the ISelf Collection, a private collection of contemporary art which focuses on the investigation of self, personal identity and the nature of being.

Francis AlÿsThe Upset Bucket is the title of the display. Exhibited for the first time since 1992, the same year that the artwork was made, the work comprises a partially rolled canvas depicting a dog, an overturned chair and a spilt bucket, and is hung on a brightly painted patterned wall. This enigmatic, domestic scene encourages viewers to reflect on what possessions might say about their owners. Exhibited here with a further 27 artworks by leading international artists, including installation, sculpture and photography, this new display explores how people shape a sense of self through their relationship with others and through the material world.

Many of the works in the show draw attention to the notion that people project their identity through their appearances and consumer choices. Matthew Darbyshire’s museum-like display of household objects, including Ikea shelves, souvenir Murano vases, Cristal d’Arque champagne flutes and acrylic water pipes, for example, questions the extent to which people imbue certain objects with aspirational codes.

Visitors are prompted to reconsider the everyday use and value of objects, repurposing industrial materials and found materials, such as Rayyane Tabet’s suitcases that are encased in concrete as a universal and timeless symbol of migration issues. Karla Black constructs large-scale sculptures from ephemeral materials including cosmetic powder, while Ellen Gallagher creates delicate assemblages from glossy African-American beauty magazines in Spoils (2011).

The exhibition also considers how artists explore discarded materials including waste and its receptacles: Gabriel Kuri’s sculpture consists of precariously stacked wire bins, while the photographs by William Eggleston and Richard Wentworth capture beauty in the everyday, depicting a colourful dumpster and a found assemblage of trash bags respectively.

Vertical sculptures examining how people instil sensual and spiritual meaning in quotidian objects occupy the central position of the gallery; Ugo Rondinone’s orange yellow green blue pink red mountain (2015) work, for example, features mountain stones painted with day-glo colours recalling ritualistic totems.

Linder combines pornographic images with cosmetic, food and luxury watch advertising to address the relationship between desire and consumerism, and, likewise Paul McCarthy’s Brancusi Tree (silver) (2007) resembles both a sexual gadget and a monumental modernist sculpture.

Also on display are works by: Ai Weiwei, Lynda Benglis, Walead Beshty, Martin Boyce, Alice Channer, Claire Fontaine, Thomas Demand, Ceal Floyer, Mona Hatoum, Georg Herold, Jim Lambie, Mike Nelson, Damián Ortega, Daniel Sinsel, Rudolf Stingel, Wolfgang Tillmans and Erika Verzutti.

Notes to Editors

ISelf Collection
Central to the ISelf Collection is identity, with particular reference to the human condition. Through painting, sculpture and vintage photography the themes of birth, death, sexuality, love, pain and joy are all rigorously explored. Many of the works examine the existential dilemma that is inherent to human nature. Figuration plays a major part, and a majority of the artists represented are women. The ISelf Collection was established in 2009 by Maria and Malek Sukkar, and the collection is curated and managed by Anderson O’Day Fine Art.

ISelf Collection displays
The displays continue the Whitechapel Gallery’s dedicated collections programme in Gallery 7, which reveal rarely-seen works from around the world. The final display is ISelf Collection: Bumped Bodies (10 April – 12 August 2018). Previous displays were ISelf Collection: Self-Portrait as the Billy Goat (27 April – 20 August 2017) and ISelf Collection: The End of Love (30 August – 26 November 2017).

Curators
The Whitechapel Gallery ISelf Collection displays are curated by Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator, Whitechapel Gallery with Candy Stobbs, Assistant Curator, Whitechapel Gallery.

Publication
The exhibitions are accompanied by a fully-illustrated catalogue entitled Creating Ourselves, exhibition price: £24.99 with essays by Glenn Adamson, Frances Borzello, Emily Butler, Nicholas Cullinan, Amelia Jones and Lydia Yee, as well as an interview between Iwona Blazwick and collector Maria Sukkar.

Visitor Information

Admission: Free
Opening times: Tuesday – Sunday, 11am – 6pm; Thursdays, 11am – 9pm
Whitechapel Gallery, 77 – 82 Whitechapel High Street, London E1 7QX
Nearest London Underground Stations: Aldgate East, Liverpool Street, Tower Gateway DLR
T + 44 (0) 20 7522 7888 | E info@whitechapelgallery.org | W whitechapelgallery.org

Press Information

For more information, interviews and images, contact:

Bridie Hindle, Media Relations Assistant
T + 44 (0)20 7539 3360 | E bridiehindle@whitechapelgallery.org

Press enquiries

Lucy Hawes
Senior Media Relations Manager
E lucyhawes@whitechapelgallery.org
T +44 (0)207 522 7871

Bridie Hindle
Media Relations Assistant
E bridiehindle@whitechapelgallery.org
T +44 (0)207 539 3360

Other enquiries

For all other communications enquiries please contact:

marketing@whitechapelgallery.org
T +44 (0)20 7522 7888

Year

Follow us on