Over the course of 2019, Rachel Pimm will publish a new series of texts on the Whitechapel Gallery website, alongside a curated series of live events. Always informed by scientific research, driving her new writing will be fieldwork in Ethiopia, where she will visit the Danakil Depression. Framing her thinking are questions around how language and words define and control the environment, the relationship between neo-colonialism and ecology, and hierarchies of speaking-for and listening-to.
Rachel Pimm (b. Harare, 1984, lives in London) works in sculpture, video and performance to explore environments and their materialities, histories and politics often from the point of view of non-human agents such as plants, minerals, worms, water, gravity or rubber. She is interested in the potential of surfaces and matter to transform. Her work has been included in recent programmes including Hales Gallery, Jerwood Space, ANDOR, Tenderpixel and Chisenhale Gallery, The Royal Academy and Serpentine Gallery (all London 2014-2019) as well as internationally in Europe and the USA. She has an MFA from Goldsmiths and lectures in Fine Art at Camberwell College and Arts University Bournemouth.
Jane Scarth (Curator: Public Programmes) interviews Pimm to discuss her practice and ambitions for the residency.
Thu 7 Mar 2019, 7pm
For the first event as Writer in Residence, Rachel Pimm collaborates with media archaeologist Lori E Allen on a new sound and text based performance.
Thu 11 Jul 2019, 7pm
Drawing on research into Morphology, this performance lecture by Rachel Pimm investigates one of the most commonly recurring shapes in the natural world: the Hexagon.
The first in a new series of posts as part of Rachel Pimm’s time as Whitechapel Gallery Writer in Residence, which showcases the collaboration with sound artist Lori E Allen of a new sound and text based performance.