Heather Phillipson

more flinching

  • Whitechapel GalleryHeather Phillipsonmore flinching

    more flinching, 2016. Installation shot. Courtesy Whitec

  • Whitechapel GalleryHeather Phillipsonmore flinching

    more flinching, 2016. Installation shot. Courtesy Whitechapel Gallery

  • Whitechapel GalleryHeather Phillipsonmore flinching

    more flinching, 2016. Installation shot. Courtesy Whitec

Past Exhibition

Project
Heather Phillipson: more flinching

12 February – 17 April 2016

Heather Phillipson’s new commission transposes her time as Whitechapel Gallery’s Writer in Residence into physical space with a freely distributed, multi-part poem.

nothing is isolated in me nothing is isolated in the universe nothing does not involve me / in many public acts

Filling the gallery with her mass-produced text, accompanied by video, audio and objects, Phillipson allows poetry’s compressed intensity to inform the display. Piled high on the floor and on a rotating platform for free circulation, the poem is in perpetual motion. By crowding the room with words, then emptying them out, Phillipson renders the space as a living body in the process of depletion.

Merging the shooting of a police dog with the death of a pet, the poem collapses images with bodies, and politics with intimacies, enacting failed attempts to navigate practical and emotional entanglements. The text’s disrupted tangents are haunted by recurring Muzak, advertising-speak, sex scenes, terrorism, broadcast media, consumption-anxiety and human-animal relations.

Heather Phillipson: more flinching coincides with the major exhibition Electronic Superhighway (2016-1966)


Heather Phillipson_nylon tricot hi-cut one-piece_whitchapel image-low

Writer in Residence: Heather Phillipson

 

 

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