Category: Artists' Film International — Published:

Artists’ Film International is a collaborative project featuring film, video, and animation from around the world. During 2020, works responding to the theme of language unfold across all 20 partner organisations. As our venues’ doors may be shut, we are continuing to share exciting international work online for a limited period.

Francesco Pedraglio, Racconto antiorario (6 costellazioni) / Scripting anticlockwise (6 constellations), 2017, HD video, 10:04 mins. Selected by GAMeC, Bergamo. Camera/DOP: Marco Costantini & Fabio Petronilli; Lighting design: Sebastiano Peyron; Sound design: Liliana Villaseñor, César González; Color correction: Marco Costantini; With the participation of: Giulia De Giorgi e Michele Bertolino; Location: Norma Mangione Gallery.

 

Developed from a live performance using theatrical staging and props, Francesco Pedraglio’s film imagines six possible constellations, each named after a compass, a wave, an owl, a phoenix, a peacock, in a darkened room. We follow the camera’s anticlockwise rotation around a central column to which performers attach a series of abstract images applied to window-like glass frames. These images materialise as lines, trajectories, colours, shapes and volumes, maybe fragments of an unknown alphabet, a silent and symbolic language. The actions are accompanied by a voice-over slowly describing, frame by frame, a sequence of filmed images involving a man, a chase, a spider monkey, using these same fragments to propose starting points for future stories.

Francesco Pedraglio, Racconto antiorario (6 costellazioni) / Scripting anticlockwise (6 constellations) (still), 2017, HD video, 10:04 mins. Selected by GAMeC, Bergamo.

 

Francesco Pedraglio (b. 1981, Italy) lives in Mexico City. Pedraglio is interested in storytelling as a tool to decode intimate encounters with both mundane and historically complex situations. The starting point of his practice, encompassing performance, sculpture, installations, prints, and film, is writing. A curious detail, an overheard rumour, a banal incident, anything could spark a narration. And it’s in the shift from written text to live action, from live action to staged installation or film that the exploration of language, fiction and reality-making occurs.

His work has been seen at Norma Mangione Gallery, Turin (2019); Kettle’s Yard, Cambridge (2018); Museo Leonora Carrington, San Luis Potosí (2018); P///AKT, Amsterdam (2017); Kunstverein Munich (2017); CRAC Alsace (2017); Sheffield Fringe (2016); Parallel, Oaxaca (2015); The Physics Room, Christchurch (2015); Kunsthalle Wien (2015); ICA, London (2015). A collection of poems titled 99 Battle and 1 War (an extract) was published by Piano Nobile in 2016. His first novel A man in a room spray painting a fly was published by Book Works in 2014. Together with artist Tania Pérez Córdova, Pedraglio runs the publishing project Juan de la Cosa / John of the Thing.

GAMeC (Galleria D’Arte Moderna e Contemporanea) was founded in 1991 in a renovated 15th century convent in Bergamo in northern Italy. With more than 1500 square meters of public space, the Gallery organises temporary exhibitions by major international figures and previously unseen projects by up and coming and local artists.

Francesco Pedraglio, Racconto antiorario (6 costellazioni) / Scripting anticlockwise (6 constellations) (still), 2017, HD video, 10:04 mins. Selected by GAMeC, Bergamo.

 

Artists’ Film International (AFI) is a partnership of 20 international organisations that celebrates moving image. Partners are: Ballroom Marfa, Marfa, Texas, USA; Belgrade Cultural Centre, Belgrade, Serbia; Bonniers Konsthall, Stockholm, Sweden; CAC, Vilnius, Lithuania; Centre for Contemporary Arts Afghanistan (CCAA), Kabul, Afghanistan; Crawford Art Gallery, Cork, Ireland; Fundación PROA, Buenos Aires, Argentina; Galleria D’Arte Moderna e Contemporanea, Bergamo, Italy; Hammer Museum, Los Angeles, USA; Istanbul Modern, Istanbul, Turkey; Friends of Iziko South African National Gallery, Cape Town, South Africa; KWM artcentre, Beijing, China; Mohammad and Mahera Abu Ghazaleh Foundation, Amman, Jordan; Moscow Museum of Modern Art, Moscow, Russia; Museum of Modern Art, Warsaw, Poland; Video-Forum of Neuer Berliner Kunstverein (n.b.k.), Berlin, German; Para Site, Hong Kong; Project 88, Mumbai, India; Tromsø Kunstforening, Tromsø, Norway; Whitechapel Gallery, London, UK

 


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