Sharing the Same Tears

Sophia Al-Maria

  • Image courtesy of the artist.

Past Event

This event was on Thu 8 Feb, 7pm

This series of events is intended specifically for women and gender non-binary individuals, by request of the artist.

This is the first event in a new special series of gatherings curated by artist Sophia Al-Maria during her time as Writer in Residence.

Exploring an eclectic array of subjects including colonial erasure tactics, the Beach Boys’ album Surf’s Up and the third millennium, this intimate and experimental evening features film screenings, music, collective readings and a special performance by artist Victoria Sin.

The event draws on new writing composed by Al-Maria, a series of mini mega-narratives that span politics, science fiction and personal experience.

Supported by the Barjeel Art Foundation.

About Sophia Al-Maria

Sophia Al-Maria (b. 1983, lives and works in London) studied comparative literature at the American university in Cairo, and aural and visual cultures at Goldsmiths, University of London. Her first solo exhibition Virgin with a Memory was presented at HOME, Manchester in 2014. Al-Maria has also shown at the Whitney Museum NY, USA (2016); New Museum, NY (2015); Gwangju Biennale, South Korea (2013); Waqif Art Centre, Doha Qatar (2007) and townhouse Gallery Cairo (2005). Al Maria participated in the 2016 Biennale of moving images (BIM), organized by the centre d’art contemporain in Geneva. In 2015 she guest edited issue 8 of The Happy hypocrite (Fresh Hell). Her memoir, The Girl Who Fell to Earth (2012), was published by Harper Perennial. Her writing has also appeared in Harper’s Magazine, Triple Canopy and Bidoun.

About Victoria Sin

Victoria Sin is an artist using speculative fiction within performance, moving image, writing, and print to interrupt normative processes of desire, identification, and objectification. This includes Drag as a practice of purposeful embodiment questioning the reification and ascription of ideal images within technologies of representation and systems of looking.

Drawing from close personal encounters of looking and wanting, their work presents heavily constructed fantasy narratives on the often unsettling experience of the physical within the social body. Their long-term project Dream Babes explores science and speculative fiction as a productive strategy of queer resistance, imaging futurity that does not depend on existing historical and social infrastructure. It has included science fiction porn screenings and talks, a three-day programme of performance at Auto Italia South East, a publication, and a regular science fiction reading group for queer people of colour.