Helen Cammock

Che si può fare?

  • HC_WebCrop_2019-04-03150783

    Helen Cammock, Harp, 2019, Vinyl cut print, 64 × 93 cm. Courtesy the artist. Photo Stephen White

Free entry

25 Jun – 1 Sep 2019

Gallery 2

Monday Closed
Tuesday 11am–6pm
Wednesday 11am–6pm
Thursday 11am–9pm
Friday 11am–9pm
Saturday 11am–6pm
Sunday 11am–6pm

Max Mara Art Prize for Women
Helen Cammock
Che si può fare?

25 June – 1 September 2019

What do jazz and the blues have in common with seventeenth century Baroque music? The winner of the Max Mara Art Prize for Women Helen Cammock (b. 1970, UK) sensed that lament, the expression of loss and mourning, is central to the history of vocal music and embarked on a six-month journey across Italy to find out.

Travelling from Bologna to Florence, Venice, Rome, Palermo and Reggio Emilia, Cammock met historians, musicians and singers who opened their archives, shared their lives and research – and gave her singing lessons. The title of her project Che si può fare? (What can be done?) is taken from a 1664 aria by Italian composer Barbara Strozzi (1619–1677). It is her music and that of Francesca Caccini (1587–1641) that Cammock performs as a duet with a jazz trumpeter in a live event and on a vinyl recording, reviving their legacy through her own voice.

Helen Cammock is a visual poet whose drawings, prints, photographs and films juxtapose word and image. Through her residency she collected the testimonies of activists, migrants and refugees, witnessing the transformation of lament into the expression of survival and resilience. Their stories emerge in a body of new works: a split screen film; a triptych of vinyl cut prints; a group performance and a screen printed frieze that captures the power of women’s voices from the Baroque period to Italy today.

#MaxMaraArtPrize

#HelenCammock


Find out more

Read the press release


Che si può fare? travels to Collezione Maramotti, Reggio Emilia, Italy: 13 October 2019 – February 2020

 

Follow us on