ISelf Collection: The Upset Bucket

  • Francis Alÿs, <em>The Upset Bucket</em> 1991–92, Oil on canvas (oil, graphite and masking tape on vellum in two parts), Painting 31.8 × 40 × 5.1 cm, Drawing 43.8 × 64.8 × 5.1 cm. Image courtesy of David Zwirner, New York/London © Francis Alÿs. Photo: Stephen White_exhibition_page

    Francis Alÿs, The Upset Bucket, 1991–92 [detail], oil on canvas; oil, graphite, and masking tape on vellum, painted wall, dimensions variable with installation © Francis Alÿs. Courtesy of David Zwirner, New York/London

Past Exhibition

This exhibition was on 5 Dec 2017 - 1 Apr 2018

ISelf Collection
The Upset Bucket

5 December – 1 April 2018

This display of works by 28 major artists examines how we project our identity through our appearances and consumer choices, ultimately shaping our sense of self in relation to society.

A small painting hangs on a yellow patterned wall. The canvas is only half rolled out on its stretcher, and a dog, an upturned chair and a spilt bucket are visible. This enigmatic work by Francis Alÿs (b. 1959, Belgium) lends its title to the exhibition, which considers the question what do our possessions say about us?

Artists are in a unique position to prompt us to reconsider the use and value of objects. Alÿs examines and disrupts the conventions of domestic decoration and decorum, while Rayyane Tabet (b. 1983, Lebanon) takes a simple yet significant object, a suitcase, which he encases in concrete for posterity.

Many of the artists in the display use existing industrial materials and repurpose found objects. Matthew Darbyshire (b. 1977, UK) exposes our aspirational household objects including Ikea shelves, souvenir Murano vases, and Cristal d’Arque champagne flutes in his installations. Karla Black (b. 1972, UK) constructs monumental yet ephemeral sculptures from cosmetic powder, while Ellen Gallagher (b. 1965, USA) creates delicate assemblages from glossy African-American beauty magazines in Spoils (2011).

Artists have also highlighted the relationship between consumerism and desire. Linder’s (b. 1954, UK) Oranur Experiment (2011) conflates pornographic imagery with those from glossy cosmetic, food and luxury watch advertisements. By constrast, Ugo Rondinone (b. 1964, Switzerland) looks at objects from a spiritual angle using mountain stones to create a new vertical assemblage, a day-glo orange yellow green blue pink red mountain (2015).

Featuring works by Ai Weiwei, Lynda Benglis, Walead Beshty, Martin Boyce, Alice Channer, Claire Fontaine, Thomas Demand, William Eggleston, Ceal Floyer, Mona Hatoum, Georg Herold, Gabriel Kuri, Jim Lambie, Paul McCarthy, Mike Nelson, Damian Ortega, Daniel Sinsel, Rudolf Stingel, Wolfgang Tillmans, Erika Verzutti, Richard Wentworth.

Continuing the Whitechapel Gallery’s programme of opening up rarely seen collections from around the world, this is the third of four exhibitions drawn from the ISelf Collection.



Whitechapel Gallery, ISelf Catalogue - Creating Ourselves

Creating Ourselves: The Self In Art

A fully illustrated catalogue accompanies ISelf Collection. Available in paperback (£29.99).

Buy the book

ISelf Collection: Rayyane Tabet Fossils (The Suitcase) 2014 From the Series: Five Distant Memories: The Suitcase, The Room, The Toys, The Boat and Maradona, 2006 ongoing Three suitcases encased in concrete 84 × 70 × 34 cm 90 × 75 × 34 cm 80 × 60 × 33 cm Image courtesy of Rayyane Tabet and Sfeir-Semler Gallery, Hamburg/Beirut

Curator's Tour: The Upset Bucket

Thu 11 Jan 2018, 6.30pm
Free, Booking required

Mahera and Mohammad Abu Ghazaleh Curator Emily Butler leads a tour of the exhibition.

Display 1: Self-Portrait as the Billy Goat

27 April – 20 August 2017

Self-Portrait as the Billy Goat

Twenty-five works from international artists reveal how these artists stage their own bodies or self-reflections to examine the different ways that we build our sense of personal identity.

Display 2: The End of Love

30 August – 26 November 2017
The End of Love

Contemporary portraiture – both real and imagined – and the relationship between self and other, or between artist, sitter and viewer, is explored by nearly 30 international artists in this display.

Find out more

Read the press release