Senga Nengudi, Performance Piece, 1977, (detail), Silver gelatin prints, triptych, overall dimensions 300.8 x 104.1 cm. Courtesy Sprüth Magers and Thomas Erben Gallery, New York. Photo Harmon Outlaw
Senga Nengudi, Performance Piece, 1977, Silver gelatin prints, triptych, overall dimensions 300.8 x 104.1 cm. Courtesy Sprüth Magers and Thomas Erben Gallery, New York. Photo Harmon Outlaw
Maren Hassinger, Ulysses Jenkins, Senga Nengudi and Franklin Parker, Flying, 1982, performed at Barnsdall Park, Los Angeles, July 6, 1982, at the opening of Afro-American Abstractions, Los Angeles Municipal Art Gallery. Courtesy the artists, Sprüth Magers, Thomas Erben Gallery, and Susan Inglett Gallery, NYC
Senga Nengudi, Down (Purple), Red Devil (soul 2), Drifting Leaves, 1972 , C-prints, Triptych. Courtesy of Sprüth Magers and Thomas Erben Gallery, New York. Photo Doug Harris
Senga Nengudi with Cheryl Banks and Lawrence D. “Butch” Morris, Air Propo, 1981 , Single channel video, colour, with sound 10:45 min. Courtesy of Sprüth Magers and Thomas Erben Gallery, New York. Film still
Free entry
1 Apr - 14 Jun 2026
Gallery 5
| Monday | Closed |
| Tuesday | 11am–6pm |
| Wednesday | 11am–6pm |
| Thursday | 11am–9pm |
| Friday | 11am–6pm |
| Saturday | 11am–6pm |
| Sunday | 11am–6pm |
Whitechapel Gallery is committed to making all of our exhibitions as accessible as possible for every visitor. Please contact access@whitechapelgallery.org if you would like to discuss a particular request and we will gladly discuss with you the best way to accommodate it.
For complete access information about the gallery, please visit here.
Whitechapel Gallery presents a rare archival exhibition of the work of pioneering artist and educator Senga Nengudi (b.1943, Chicago, USA). Featuring photographic works, archival materials and films of key performance pieces, the exhibition offers audiences unique insights into Nengudi’s work and practice.
Born in Chicago, and raised in Los Angeles, Nengudi was a key figure in the avant-garde Black art scenes both in Los Angeles and New York during the 1960s and 1970s that were characterised by their radical experimentation, collective practices and social commentary. Nengudi’s influential and groundbreaking works sit at the intersection of sculpture, choreography and performance and draw on a range of African, Asian and Native American art forms.
The presentation focuses on a selection of Nengudi’s most iconic works made between 1972 and 1982 – a pivotal moment in her artistic development. During this period, Nengudi refined both her approach and creative forms, building on a background in dance and art. She was also influenced by avant-garde collectives and practices including Fluxus, the Gutai group, Yoruba mythology, Japanese Noh theatre and jazz improvisation. Her distinctive and evocative sculptural forms were assembled from a variety of found objects and materials such as hosiery, sand, rocks, seed pods, masking tape and paper, and designed to be animated by spontaneous or choreographed interactions, creating powerful participatory works.
Read the full exhibition press release.
Senga Nengudi (b.1943, Chicago, USA) currently lives in Colorado Springs, Colorado. She is the winner of the Nasher Prize for Sculpture 2023. Selected solo exhibitions include Dia: Beacon, Beacon, NY (2023), Philadelphia Art Museum (2021), Denver Art Museum (2020), Museo de Arte de São Paulo (2020), Lenbachhaus, Munich (2019), Henry Moore Institute, Leeds (2018), Baltimore Museum of Art (2018), and Institute of Contemporary Art, Miami (2017). Recent group exhibitions include Museum of Modern Art, New York (2022), Hammer Museum, Los Angeles (2022), Migros Museum für Gegenwartskunst, Zürich (2021), Mori Art Museum, Tokyo (2021), Walker Art Center, Minneapolis (2020), Museum of Contemporary Art, Chicago (2018), National Gallery of Art, Washington, DC (2018), Brooklyn Museum, New York (2017) and the 2017 Venice Biennale.
