Thu 14 May 2026, 5 - 6.30pm
| Monday | Closed |
| Tuesday | 11am–6pm |
| Wednesday | 11am–6pm |
| Thursday | 11am–9pm |
| Friday | 11am–6pm |
| Saturday | 11am–6pm |
| Sunday | 11am–6pm |
Access requirements
Whitechapel Gallery is committed to making all of our events as accessible as possible for every audience member. Please contact access@whitechapelgallery.org if you would like to discuss a particular request and we will gladly discuss with you the best way to accommodate it.
Information about access on site at the gallery is available here https://www.whitechapelgallery.org/visit/access/
This includes information about Lift access; Borrowing wheelchairs & seating; Assistance Animals; Parking; Toilets and baby care facilities; Blind & Partially Sighted Visitors; Subtitles and transcripts; British Sign Language (BSL) and hearing induction loops; Deaf Messaging Service (DMS).
About This Event
This event takes place in the Assembly Room at Whitechapel Gallery, located on the ground floor.
This event lasts approximately 1.5 hours. Attendees are encouraged to take as many breaks as they need during the event.
You must book a ticket to attend the event.
If the ticket price affects your attendance, please email tickets@whitechapelgallery.org to be added to the guest list (no questions asked, but dependent on availability).
This event is suitable for those over the age of 16
We are unable to provide British Sign Language interpretation for this event
We are unable to provide live closed captioning or CART for this event.
An audio recording of the event can be obtained by emailing publicprogrammes@whitechapelgallery.org following the event.
Transport
To the best of our knowledge, there are no planned disruptions to local transport on the date of the event.
Our nearest train station – Aldgate East Underground (1 min) is not wheelchair accessible. The closest wheelchair accessible stations are Whitechapel (15 min), Shoreditch High Street (15 min) or Liverpool Street (15 min).
Free parking for Blue Badge holders is available at the top of Osborn Street in the pay and display booths for an unlimited period. Spaces are available on a first come, first served basis.
Live Recording
Please note: this event will be filmed and audio recorded for the Whitechapel Gallery Archive and online publication.
Accompanying his new commission Archaeology of Memory, join Gabriel Chaile and the exhibition’s curator Carolina Jozami, as they speak to the key questions in the work, inviting conversations around the memory making and retentive potential of cultural artefacts, the agency of objects, and ways of knowing and relating to each across time and place.
For his commission at Whitechapel Gallery, Chaile has created a site-specific installation that engages with the particularly rich and diverse historical and cultural identity of the East End. Continuing his long-standing interest in collecting ceramics and other items from across the globe, Chaile scavenged and sourced a range of objects (decorative and functional) from the local area surrounding Whitechapel Gallery, which feature in the exhibition alongside objects from his personal collection gathered from different parts of the world.
When entering the gallery, visitors encounter a group of adobe sculptures that act as both containers for, and guardians of, the various objects Chaile has found.
In this conversation, Chaile will give insights into the evolution of the commission and how assemblage, stewardship, and storytelling play out in the work, giving language to the ways that personal and collective memories can be preserved, but also continually remade in the present.
This event accompanies our current exhibition Gabriel Chaile: Archaeology of Memory.
This event coincides with the publication of the accompanying fully illustrated publication to the exhibition, featuring a commissioned text by Manuela Moscoso, curator and Executive and Artistic Director of the Center for Art, Research and Alliances (CARA) New York, and a conversation with the artist and exhibition curator Carolina Jozami.
Attendees to this event can access an exclusive 20% discount on the publication by selecting the “Admission + Book” option when purchasing your ticket. Your book will be available to collect from the info desk on the night of the event.
Gabriel Chaile (b.1985, San Miguel de Tucumán, Argentina) has exhibited extensively around the world. His large-scale public work The Wind Blows Where It Wishes was presented on the High Line in New York in 2023. Chaile’s work was included in the Venice Biennale and the Coimbra Biennial of Contemporary Art in 2022 and the New Museum Triennial in 2021. His work has been the subject of solo presentations at the Fundación Cervieri Monsuárez, José Ignacio (2025); La Tabakalera, San Sebastián, (2024); Berkeley Art Museum and Pacific Film Archive, Berkeley (2024); Kunsthalle Lissabon, Lisbon (2022); the Museo de Arte Moderno de Buenos Aires (2017); Fondo Nacional de las Artes, Buenos Aires (2014); Centro Cultural Recoleta, Buenos Aires (2015); and Nuevo Museo Energía de Arte Contemporáneo, Buenos Aires (2011).
He has been featured in group exhibitions at Guggenheim, Bilbao (2025); Islamic Arts Biennale, Jeddah (2025); Malba Puertos, Buenos Aires (2025); Madragoa, Lisbon (2025); the 14th Bienal do Mercosul, Porto Alegre (2025); MARCO, Buenos Aires (2024); C3A – Centro de Creación Contemporánea de Andalucía, Córdoba (2023); BoCA – Biennial of Contemporary Arts, Lisbon (2023); Temporary Gallery, Cologne (2023); FORMA, Paris (2023); Fondation Thalie, Brussels (2021); the New Museum, New York (2021); Galeria Municipal, Porto (2021); Plural Nodo Cultural, Bogotá (2021); Espacio Temporal, Mexico City (2021); Espacio de Arte Contemporáneo, Montevideo (2019); Centro Cultural Recoleta, Buenos Aires (2019); Faena Festival, Miami Beach (2019); Art Basel Cities, Buenos Aires (2018); Museo de Arte Moderno de Cuenca (2015); and Museo de Arte Contemporáneo Latinoamericano, La Plata (2012). Chaile’s work is included in collections of the Museo de Arte Latinoamericano de Buenos Aires; the Fundación Costantini, Buenos Aires; Thyssen-Bornemisza Collection, Madrid; and Kadist Foundation, Paris.
