Joy Gregory, Autoportrait , 1989 – 1990, Silver Gelatin Lith Print © Joy Gregory/ Courtesy the artist & DACS.
Joy Gregory, Daucus Carota (Carrot) from the series ‘The Invisible Life Force of Plants’, 2020, Cyanotype. © Joy Gregory
Joy Gregory, Comb from the series ‘Objects of Beauty’ 1992 – 1995, Kallityp, © Joy Gregory
Joy Gregory, Stockwell Siren from the series ‘Celebrity Blonde’, 2001, performance © Joy Gregory
Joy Gregory, Zara from the series ‘Fairest’, 1999 – 2010, Fuji Crystal Archive Print © Joy Gregory
Joy Gregory, Bridge of Miracles, Venice from the series ‘Cinderella Tours Europe’, 1997 – 2001, Fuji Crystal Archive Print © Joy Gregory
Coming Soon
08 Oct - 01 Mar 2026
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Joy Gregory: Catching Flies with Honey, will be the first major survey show of the artist, Joy Gregory (b.1959, UK), winner of the eighth annual Freelands Award and one of the UK’s most innovative artists working with photography today.
Spanning four decades, this landmark exhibition brings together over 250 works encompassing photography, film, installation and textiles, all of which showcase and celebrate Gregory’s inventive, culturally resonant and materially rich practice. Since the early 1980s, Gregory has been a pioneering force in contemporary photography, playing a critical role in its development nationally and internationally.
Her work explores identity, history, race, gender and societal ideals of beauty, while expanding photography’s aesthetic and material possibilities. Gregory employs a diverse range of media and methods, encompassing Victorian photographic techniques such as cyanotypes and kallitypes, as well as digital media and performance. Conceptually rigorous and visually seductive, Gregory’s work invites important reflection on power structures, representation and cultural memory. The exhibition’s title comes from the proverb, ‘you catch more flies with honey than vinegar’, a phrase that Gregory’s mother used to say to her. It encapsulates her approach to art as political ‘with a small p’; her intimate, visually pleasurable and poetic works encouraging nuanced rather than polemical discussion.
Read the full exhibition press release.
Joy Gregory is a graduate of Manchester Polytechnic and the Royal College of Art. She has developed a practice which is concerned with social and political issues with particular reference to history and cultural differences in contemporary society.
As a photographer she makes full use of the media from video, digital and analogue photography to Victorian print processes. In 2002, Gregory received the NESTA Fellowship, which enabled her the time and the freedom to research for a major piece around language endangerment. The first of this series was the video piece Gomera, which premiered at the Sydney Biennale in May 2010.
She is the recipient of numerous awards and has exhibited all over the world showing in many festivals and biennales. Her work included in many collections including the UK Arts Council Collection, Victoria and Albert Museum, Institute of Modern Art, Brisbane, Australia, and Yale British Art Collection. She currently lives and works in London.
Joy Gregory: Catching Flies with Honey has been generously supported by:
Freelands Foundation through the Freelands Award 2023
Cockayne – Grants for the Arts: a donor advised fund held at The London Community Foundation
Joy Gregory Exhibition Circle and Patrons: Lord Peter Palumbo and those who wish to remain anonymous
Research for this exhibition has been supported by the Paul Mellon Centre for Studies in British Art
