The Whitechapel Gallery is committed to making all of our events as accessible as possible for every audience member. Please contact firstname.lastname@example.org if you would like to discuss a particular request and we will gladly discuss with you the best way to accommodate it.
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– This includes information about Lift access; Borrowing wheelchairs & seating; Assistance Animals; Parking; Toilets and baby care facilities; Blind & Partially Sighted Visitors; Subtitles and transcripts; British Sign Language (BSL) and hearing induction loops; Deaf Messaging Service (DMS).
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About This Event
– This event takes place in the Zilkha Auditorium at Whitechapel Gallery
– You must purchase a ticket to attend the event. Concession tickets are available. If you require a Personal Assistant to support your attendance, we can offer them a seat free of charge, but it must be arranged in advance.
– This event is suitable for those over the age of 16
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– This event last approximately 1.5 hours.
– An audio recording of the event can be obtained by emailing email@example.com following the event.
– To the best of our knowledge, there are no planned disruptions to local transport on the date of the event.
– Our nearest train station – Aldgate East Underground (1 min) is not wheelchair accessible. The closest wheelchair accessible stations are Whitechapel (15 min), Shoreditch High Street (15 min) or Liverpool Street (15 min).
– Free parking for Blue Badge holders is available at the top of Osborn Street in the pay and display booths for an unlimited period. Spaces are available on a first come, first served basis.
Please note: we audio record all events for the Whitechapel Gallery Archive. This audio material may also be used for our Hear, Now podcast series.
Join us for a special evening with artist Emma Talbot, winner of the 8th edition of the Max Mara Art Prize for Women as she delves into the imagined worlds and future environments of her new commission, The Age / L’Età with Whitechapel Gallery curator Laura Smith.
With both the climate and cost of living crises unavoidably pervading our lives, Talbot suggests refreshingly alternative ways of existing in our contemporary world, and new modes of being that embrace climate care, feminism and age-positivity.
The discussion coincides with the opening of the exhibition, the culmination of a bespoke six-month residency in Italy organised by Collezione Maramotti, which will feature epic silk-paintings, video animations, three-dimensional work, drawings and atmospheric sounds. Visit The Age / L’Età after the talk and explore more ancient and holistic ways of crafting and belonging, that rethink ancient power structures and celebrate the natural world in order to survive.
Emma Talbot (b. 1969, Stourbridge) lives and works in London. She studied at the Birmingham Institute of Art & Design and Royal College of Art. Working in drawing, painting, animation and sculpture Talbot often articulates internal narratives as visual poems or associative ruminations, based on her own experience, memories and psychological projections. Incorporating her own writing and references to other literary and poetic sources, Talbot’s work considers complex issues such as feminist theory and storytelling; ecopolitics and the natural world; and pertinent questions regarding our shifting relationships to technology, language and communication. Her work is currently on show in Milk of Dreams at The 59th International Art Exhibition – La Biennale di Venezia. Recent solo exhibitions include: When Screens Break Eastside Projects, Birmingham (2020); Ghost Calls , DCA, Dundee (2020);Ghost Calls and Meditations Kunsthaus Pasquart, Biel (2021); Sounders of The Depths, GEM Kunstmuseum, The Hague, Netherlands (2019-20); Emma/Ursula, Petra Rinck Galerie Dusseldorf (2020); ArtNight 2019 commission: Your Own Authority, William Morris Gallery; 21st Century Sleepwalk, Caustic Coastal and Salford Lad’s Club, Salford (2018); Woman-Snake-Bird, Galerie Onrust, Amsterdam (2018); Open Thoughts, Neuer Aachener Kunstverein (2017); The World Blown Apart, Galerie Onrust, Amsterdam 2017; Stained With Marks Of Love, Arcadia Missa, New York (2017). Her work is held in the collections of Guerlain, Paris, British Council Collection, Arts Council Collection, City of Birmingham Museum & Art Gallery, David Roberts Collection, Saatchi Collection, University of the Arts London, Art Gallery of Western Australia, Perth, Fries Museum NL, Arnhem Museum NL, KRC Collection NL, AkzoNobel NL.
The Max Mara Art Prize for Women, in collaboration with Whitechapel Gallery is a biannual award established in 2005. It is the only visual art prize for women in the UK and aims to promote and nurture female artists, enabling them to develop their potential with the gift of time and space. The prize is open to women artists living and working in the United Kingdom who have not previously had a major solo survey exhibition. The partners of the prize are Max Mara, Whitechapel Gallery and Collezione Maramotti who collaborate on each phase of the prize. For each edition a jury, chaired by Whitechapel Gallery Director Iwona Blazwick, and including a gallerist, critic, artist and collector, agree on a shortlist of artists before the winner is decided based on the artists’ proposals. The winner is awarded a six-month Italian residency tailored to fit the artist and her winning proposal for the Prize. During the residency, which is organised by Collezione Maramotti, the artist has the opportunity to realise an ambitious new project which is presented in major solo exhibitions at the Whitechapel Gallery in London and at Collezione Maramotti in Reggio Emilia, Italy, which then acquires it. The Max Mara Art Prize for Women was awarded the British Council Arts & Business International Award in 2007 and has enabled winning artists to take major steps in their careers